Friday, February 23, 2007

War With Iran?



"War With Iran? Now we'll have to shop even harder!"
freewayblogger.blogspot.com

Wednesday, February 14, 2007

The Women's Museum in Denmark Grants Asylum to Pregnant Teenager



From: Jens Galschiøt
Date: Wed, 14 Feb 2007 19:59:48 +0100
Subject: The Women's Museum in Denmark Grants Asylum to Pregnant Teenager

Press release, 14 February 2007

This Press release as Word file:
http://www.aidoh.dk/new-struct/Happenings-and-Projects/2007/Aarhus/GB-Aarhus.doc


**The Women's Museum in Denmark Grants Asylum to Pregnant Teenager**

The Women's Museum in Denmark harbours Danish sculptor Jens Galschiot‚s artwork ŒIn the Name of God‚. The 7 metre high sculpture depicts a crucified pregnant teenager. The crucifix was put up on Wednesday 14 February at the Women‚s Museum, neighbouring the Cathedral of Aarhus.

At the inauguration there were speeches by Mr Bjarne Oerum, chairman of the parish council, curator of the museum Ms Merete Ipsen and the sculptor Jens Galschiot. Mr Oerum stressed the role of art for the renewal of the churches. Ms Ipsen emphasized the role of Mathilde Fibiger, born 1830, who had given name to the square of the exhibition. She was a pioneer for the Danish women‚s emancipation. Ms Ipsen stressed the affinity between the pioneers and the cause of the sculpture.

*From cathedral to cathedral*

The controversial sculpture has been exhibited for a couple of months in front of the Cathedral of Copenhagen, where it was put up in co-operation with the Dean and Parish Council. The exhibition in Aarhus has also a connection to the Cathedral, although the sculpture is displayed under the auspices of the Women‚s Museum.

Jens Galschiot‚s new art manifestation In the Name of God is launched to highlight Christian fundamentalists‚ attempt to the world‚s policy on contraception, alleging that the use of condoms is a kind of abortion and therefore contrary to God‚s will. About this policy the artist declares: The consequences for the proliferation of AIDS are disastrous and the advances of the women‚s movement are being set back to the Victorian era.‰

*From woman to woman

The artist has recently been to Nairobi where he displayed his crucifixion sculpture. The reactions of the 66,000 participants of the World Social Forum were generally benevolent. Especially the women in the demonstrations in the streets of Nairobi and at the venue of the WSF adopted the sculpture and saw it as a symbol of the oppression women that usually follows in the wake of the fundamentalists‚ campaign, Jens Galschiot declares and continues: So I‚m delighted that exactly the Women‚s Museum is the driving force for launching the sculpture here in Aarhus.

**For more info and photos of the event, see
www.aidoh.dk/Aarhus

**The artist: Jens Galschiot
Banevaenget 22 - DK-5270 Odense N
Tel.: +45 6618 4058 ˆ Fax: +45 6618 4158
E-mail: aidoh@aidoh.dk - Internet: www.aidoh.dk

**The Women's Museum in Denmark
Curator Ms Merete Ipsen
Domkirkepladsen 5 DK-8000 Aarhus C - Tel.: +45 86 1864 84
E-mail: mi@womensmuseum.dk
Internet: www.womensmuseum.dk

**Chairman of the parish council ˆ Mr Bjarne Oerum
Skt. Olufs Gade 1, 1. ˆ DK-8000 Aarhus C - Tel.: +45 8612 5497






***************************************

Short presentation: The artist was born in Denmark, 1954. He stakes his art to defend the ethical values of our society, regardless of political, religious or economical interests. His sculptures suddenly appear in public areas and start the performance. Best known are My Inner Beast (European cities in 1993) and the Pillar of Shame (Hong Kong, Mexico and Brazil).

The projects are financed through the sale of Galschiot's bronze sculptures to art collectors all over the world. He has a huge industrial area in Odense, Denmark with a bronze foundry, gallery and workshop. Photos of all Jens Galschiot's sculptures: http://sculptures.aidoh.dk

Monday, February 05, 2007

Hegemony [repost portion of last]

why would i be interested in a latin american revolutionary?

we are not alone/ what do they think? we live in a rascist, imperialistic and hegemonic republic...

<<< expanded at /RENEGADE/

Hegemony From Wikipedia, the free encyclopedia

Hegemony (pronounced he'gem.?.ni or h?'d??.m?.ni) (Greek: hgemon?a he¯gemonía) is the dominance of one group over other groups, with or without the threat of force, to the extent that, for instance, the dominant party can dictate the terms of trade to its advantage; more broadly, cultural perspectives become skewed to favor the dominant group. The cultural control that hegemony asserts affects commonplace patterns of thought: hegemony controls the way new ideas are rejected or become naturalized in a process that subtly alters notions of common sense in a given society.

Hegemony results in the empowerment of certain cultural beliefs, values, and practices to the submersion and partial exclusion of others. Hegemony influences the perspective of mainstream history, as history is written by the victors for a congruent readership.

Saturday, February 03, 2007

throwing lambs

070202

throwing lambs... sometimes its okay to call the police.


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some kinda buzz! the horrors of war weigh upon us...

so thank you for the call, i just bought a new battery; plus good news: i got a ride!

people do some weird shit. when was the last time you "whooped?"

please state your name, who you are calling for, and hope

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070203

common ground cultural exchange and support - a multilingual newsletter serving the community?

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why would i be interested in a latin american revolutionary?

we are not alone/ what do they think? we live in a racsist, imperialistic and hegemonic republic...

Hegemony From Wikipedia, the free encyclopedia

Hegemony (pronounced he'gem.?.ni or h?'d??.m?.ni) (Greek: hgemon?a he¯gemonía) is the dominance of one group over other groups, with or without the threat of force, to the extent that, for instance, the dominant party can dictate the terms of trade to its advantage; more broadly, cultural perspectives become skewed to favor the dominant group. The cultural control that hegemony asserts affects commonplace patterns of thought: hegemony controls the way new ideas are rejected or become naturalized in a process that subtly alters notions of common sense in a given society.

Hegemony results in the empowerment of certain cultural beliefs, values, and practices to the submersion and partial exclusion of others. Hegemony influences the perspective of mainstream history, as history is written by the victors for a congruent readership.